To Shoot Or Not To Shoot

30 06 2009

Kutima Mulilo mw 

 

If I had a dollar for every great photo I’ve missed because my camera was inaccessible, I’d be travelling the world right this moment instead of sitting at my computer! After a few too many ‘ones that got away’, I bought a small point-and-shoot camera. Sometimes, however, knowing what not to photograph is even more important than knowing what to capture!

 

Katima Mulilo is a town in Namibia’s Caprivi Strip: a panhandle of land in the country’s north-east corner that slices between Botswana, Zambia and Angola. We had stopped for supplies during the long drive from Etosha to Chobe National Park. While our truck went for gas, the rest of us headed for the supermarket. The shopping done, we stepped outside and sat on the curb in the shade with a cold bottle of Coke and watched every day life in this sleepy, dusty corner of Africa.

 

Within moments, the silence was split by shouts and roaring engines and a Casspir came tearing around the corner. It slammed to a halt in front of us and police armed with sjambok whips tumbled out and ran in every direction while more vehicles arrived. The Casspir is familiar to anyone who grew up watching news coverage of the Apartheid struggle in neighbouring South Africa. These high-wheeled high-sided armoured personnel carriers raced into Townships during demonstrations, firing teargas and high-powered water from cannons or dispersing police or army riot squads. It suddenly felt as though I was in one of those news reels.

 

The police ran down the side streets and into stores and businesses, knocking over stalls, dragging people out and throwing them in the Casspir or other trucks. Some fled, chased by the police as they thrashed the air with their long whips, others obediently surrendered. A police officer stood atop the armoured vehicle shouting into a radio and directing his men.

 

Amid all the pandemonium, we remained quietly sat on the curb. We didn’t know what was going on, but thought it best to sit still and not draw attention to ourselves. Instead of attempting to walk away or even stand up, we simply slid ourselves further against the wall in an effort to remain inanimate and invisible while all hell let loose.

 

On my belt was my small point-and-shoot camera. I could feel it burning into my side, screaming to be unleashed and record the turmoil surrounding us. While this may not quite have been Pulitzer stuff, it certainly beat sunsets and picnic tables. I told it to be quiet…while I attempted to dissolve into the shadows.

 

People continued to be pushed and dragged to the vehicles and thrown inside. Some of the detainees shouted instructions to others before they were hauled away. Army-booted feet thundered past just metres away. With great relief our truck returned and stopped on the opposite side of the road. An officer strode over and had a word with our driver before leaving again. Our driver gestured for us to quickly bring the shopping and start loading it into our truck, cautioning us not to get in the way. With everyone back on board, we left the mayhem behind and headed out of town.

 

Our driver explained that it was a police raid for illegal immigrants or anyone without ID papers. Not only did relatively-prosperous Namibia have a problem with illegal workers from neighbouring war-ravaged Angola, but at the time there was also a very odd Caprivi secessionist movement seeking independence for the 400 x 35 kilometre sliver of land and which had attacked remote police outposts and other infrastructure. The police weren’t interested in us, he added…unless one of us had tried taking photographs.

 

“That wouldn’t have been good at all” he added.

 

 

Photo and post by: Simon Vaughan © 2009